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Dos Lunares is excited to present Cal̩ Rachi a weekend of exploration into the world of Flamenco through film, discussion and interactive rhythm making/palmas in conjunction with Actions, Conversations and Intersections an exhibition of participatory art by 60 Los Angeles artists and organizations, January 24 РApril 18, 2010 at the Los Angeles Municipal Art Gallery.

Our Flamenco weekend will kick off with a film night, discussion and tapas on Friday, March 5 at 7:30pm. We will be screening the wonderful documentary El Turista Soy Yo about Flamenco singer Luis Agujetas, the youngest son of the well-known and highly regarded Flamenco cantaor Agujetas el Viejo. This documentary by Trina Bardusco, follows Luis Agujetas through his daily rituals which include his nightly job singing at the famous Flamenco tourist mecca La Carbonería en Sevilla, Spain.

Palmas, the art of Flamenco hand clapping will be featured in our Sunday presentation, March 7 at 2pm. Join us for a lively afternoon of interactive, participatory rhythm making with Los Angeles bailaora, Cristina Lucio.

The name of our presentation, Calé Rachi or Gypsy Night is a nod to the intersections of Chicano and Gitano culture that took place along the Mexican-American border during the early 1900s.

Los Angeles Municipal Art Gallery at Barnsdall Park 4804 Hollywood Boulevard Los Angeles, CA 90027-5302 – (213) 485-4581

www.actionsconversationsintersections.com

Camarón por soleá con Tomatito

Yesterday, I attended the Roots and Evolution of Flamenco presentation at USC sponsored by La Peña Andaluza en California. Despite arriving a bit late, I was fortunate to catch some of the performances and was especially glad to make it in time to hear Angelita Agujetas sing as she is one of my favorite local cantaoras.
After the presentation, there was a short question and answer period and a thoughtful and at times biting, discussion took place regarding flamencologists, the difference in dance styles, the use of castanets and most surprisingly, some comments on whether Camaron was a good interpreter of Solea. As someone who worships at the altar of Camaron, I was surprised to hear this but considering the source, one of the Agujetas clan, I was willing to examine the idea.
I don’t think I know enough about cante to say anything on the subject but I have included two videos here, one of Camaron con Tomatito and the other of Antonio Mairena, who is well-known for his interpretations of Solea. I will let you make your own decision.

Antonio Mairena con Manuel Morao – Soleá

Antonio Mairena con Melchor de Marchena- Soleá – Parte 2

To hear even older interpretations of Soleá, please check out the excellent site Excavated Shellac. There are a couple of very interesting soleá tracks including one por baile.

Dolores Agujetas con sus hijos cantando por buleria

I once read an interview with Dolores Agujetas where she said I don’t sing Flamenco, I sing Cante Gitano. I wouldn’t disagree.
Watch the video until the end to see los hijos do their thing.